Saturday, 21 September 2013
Saturday, 7 September 2013
This year the Wirksworth Festival is playing host to a group of artists from South Australia. As part of their introduction to the area and some of the art it itself has inspired, my friend Alastair Clark was asked to organise an introductory walk with local inputs. I was fortunate enough to be asked to be among the sculptors, artists, writers, poets and dancers making presentations. Alastair asked if I would read my piece 'Hanging in the Balance' about a dramatic cliff rescue that I was involved in some years ago on Wildcat Cliffs in Matlock Bath. These cliffs are behind and obscured by me in this photo at about waist level. With a sixty foot drop just behind me here on top of Black Rocks, this was probably the most unsettling setting in which I've ever presented or lectured - and I've known one or two!
A fuller account of the walk can be found on Alastair's blog
Monday, 2 September 2013
This account of my earliest rock climbing experiences was written after the publication of 'While Giants Sleep' but is very much of a piece with that anthology and therefore this blog feels like its natural home
1964. She loves you. Yeah, yeah, yeah.
I had joined the church youth club down among the tightly terraced houses near Weymouth railway station not to find God but to meet girls. My friend Colin told me that the girls there were less restrained than our grammar school contemporaries but that the price to be paid for access to these temptations was the mid-evening coffee break. At around half past eight, Bob, the young curate who ran the club, began scraping the wooden chairs back into rows, barring the clanking, heavy exit door with no more than a keen eye and a chilling charm. The tap and cluck from the table tennis room died away and we sat, avoiding his glance, beneath the buzz of a yellow strip light while Bob dispensed spiritual guidance for the stipulated fifteen minutes.
Wearingly-familiar Bible stories gained some lift, however, when Bob forced them into the world we tried to claim as ours. Frank had been coming to know the Lord, he told us, he really had, in the days before his huge Norton roared from the road splintering a row of fence posts before its fatal impact with the telegraph pole. The evening when the snooker tables crashed onto their sides and the billiard balls ricocheted and whined against the tiled walls and flagstone floors, Bob strode between them parting the sea of missiles. He halted hostilities by dragging out a large, dusty gymnasium mat, as brown and bristly as a fox. ‘Queensberry rules chaps. No punching or biting, no knees and no hitting below the belt.’ First he took on one ringleader, circling in an almost polite fashion until the first engagement, the assault on balance, the thud of bodies against the floor, the assertion of strength and the weakening in one shoulder and then the other. Afterwards, blood, sweat, spittle and torn clothes with Bob extending a handshake, wiping his mouth and then turning to repeat his challenge to the other gang leader.
No milk and water respectability, this. No Holy Joe, genteel and practiced among his catechisms.
Bob’s curriculum vitae was transcribed directly from the adventure stories of my childhood – public school, Cambridge, the Marines with whom he had crossed the Sahara and become a rock climber and mountaineer. Divinity college. Not one glimpse of any such experiences in all my years growing up in Corporation Road, nor across the whole of the Westham Estate. My friend Colin and I became willing recruits as seconds on the rope as Bob explored the untouched sea cliffs at Lulworth Cove and Portland. We were
conscientious students in matters of the waist belay and bowline, the three points of contact with the rock, the superiority of balance over brute strength and the careful footwork.
He sparred, to my delight, in the correspondence columns of the Dorset Evening Echo with Mr Plant, the local coast guard:
sheer irresponsibility, treacherous terrain, endangering others
the spiritual need for unimpeded adventure, the full exploration of one’s limits.
The thrill of debate, the ripostes and the counter-arguments.
over-stretched rescue services, the duty to set an example
clashing directly with
teamwork and the ultimate level of trust, skills chiseled during disciplined apprenticeships, the testing of character.
I had always avoided the clubs and organisations designed to deliver a disciplined experience of adventure to young people. The enthusiasts for the Scouts I had known in my younger years were most often the boys with a profligate strength, the fighters. The later enthusiasts for the Duke of Edinburgh award, on the other hand, were the supporters of order and leadership, of Queen, country and the responsibly-constructed outdoor latrine.
Perhaps it was the daily expounding of my father’s too ready support for his wartime experiences in the RAF, the imposition of a firm military order giving him the best days of his life. Or maybe it was my mother’s unhappy experiences with the various church clubs and societies she enthusiastically signed up for only to scurry quickly away after some early tiff or altercation with another of their members. But whatever made me wary and suspicious did not apply out on the cliffs.
Standing with Colin on a small ledge above a sullen, restless sea on one of our first trips, no escape but upwards, I could hear Bob above us hammering in a piton that would provide a secure anchor for the three of us, his voice booming in full song and the blows of metal on metal providing cold chinks of accompaniment.
‘For - those - in – thwack – per – il – thwack – on – the sea - thwack’.
Here was adventure devoid of the smothering oversight of institutions. No packs, or troops or gangs. High stakes on walls of sea-scoured limestone. No hierarchies, no accrediting bodies, the only disciplinary forces, God and gravity.
Only in his mid-twenties, hospital visiting and a subsidiary role at evening service were insufficient to keep Bob in Weymouth and he was away within a year or so to the new challenge of running a Boys Club in Bermondsey. A year later, aged seventeen, Colin and I hitched there. Along the line of shuttered warehouses down from Tower Bridge at night, Earth had not anything to show more menacing or more frightening. In an empty light early the next morning, the city already in motion along its streets and river, we each requisitioned a best fit set of equipment from the club’s store room – boots, anorak, sleeping bag and inflatable mattress – and set the compass further north, the furthest in this direction ever for me, to the recently opened M1. Running in his new yellow Ford Anglia at speeds never in excess of forty miles an hour, we were heading into thinly sketched mountain marvels. The fourth member of our party was Eric, a young man probably no more than ten years our senior, whom Bob had first met as a regular inmate on his rounds of visiting at Dorchester gaol.
After a whole day, we arrived in Snowdonia. Driving through the Nant Ffrancon Pass, looking for the track down to our barn, massive hillsides scooped the single road and rose in slides of scree and rubble. Buttresses of the deepest Celtic green, rough ground tumbling out of the mist and down to the valley floor, these were landscapes beyond anything I had ever imagined. Our base - our lives - for the next week.
Eric’s eyes followed another waterfall upwards, its source hidden in the sky.
‘Thuck-in nell, Bob. Look at those bath-tuds.’
Silence from the driver. Mortification from the other passengers.
‘Caw, thuck me!’
‘The ears, Eric. Getting a little red.’
‘What? Oh! Oh, thuckin nell, Bob, thorry.’
All week heavy mist and cloud dominated the valley, each morning their insolent parade around and between the isolated farm dwellings and the bluffs of inhospitable ground. In the barn, we attempted to prepare meals over primus stoves, the smell of the meths never completely absent, the pans never fully free from the burned-on remnants of our previous efforts. Bob modelled orderly living among the privations. Each evening, after soakings and exhaustion on the hills, he led a session of prayers accompanied by mugs of cocoa. Nobody dared raise the possibility of a lift to the village pub.
On our final day, we attempted a rock climbing route on Lliwedd, a mountain composed of north-facing cliffs and buttresses. Some years later, when I met a wider circle of contemporary climbers, I learned that this abandoned place had once been a favoured haunt of that generation of pioneers from the 1920s and 1930s, men with a vanished ethic of risk and hardship.
We were only two or three rope lengths up the route, about two hundred and fifty feet, and I was standing alone in snow left over from the winter on a tiny ledge, when the exposure took a grip on me. To either side, un-climbable walls thinning out into nothingness. The line by which we had just ascended disappeared quickly into cloud beneath our feet. Improbably steep rocks above looked just passable, at least for the few feet into which visibility extended. As soon as somebody climbed into the mist, their voice was snatched away by the sideways buffeting of the wind. Out of contact, except for the wet rope around my back and wrists, the void in front and beneath, the hopeless features of the rock walls all around, I was incarcerated on this tiny, snowbound stance, held in by emptiness and despair.
As my turn to climb again arrived, my resolution dissolved into the vast indifference of the landscape, the dripping rock pillars, the patches of stale snow, the grey tumult above, below and to my sides. There was the best part of another thousand feet of this, continuing upwards, further and further from safe, solid ground. I was already shaking before the needles of cold began to explore each point of entry into my clothing, shivering at the lost hope of ever feeling safe again. Part of me wanted to jump, to untie my waist belay and cast free, to end the accumulating sense of hopelessness. Part wanted to blame Bob or kick at the rock and withered heather. I could only just bite back the adolescent howl that said I wanted to end it all, a howl that nobody would hear.
When I reached Bob he was hunched up against the weather, bringing in the rope, and still smiling.
‘I’m sorry, Bob. I can’t …. I just don’t think I can …. I’m sorry, Bob.’
He seemed to appraise the situation quickly, made some mental calculations, and decided it would be best if we abandoned the route and attempted to reverse the climb.
‘I can’t lower you, you’ll have to climb down. But I can give you a nice tight rope’.
Miserable and fearful, I forced myself backwards off the ledge, my boots sliding and scraping in their search for holds. I looked back up to Bob as if there were something else he could do.
‘Don’t worry, Andy. God loves you.’
Sunday, 14 April 2013
Wednesday, 20 February 2013
When I submitted a proposal to the Nottingham Festival of Words last summer, I had wanted to present a selection of pieces from my anthology ‘While Giants Sleep’ but in a different format from its previous excursions. At the Wirksworth Festival last September and at other outings, I had acknowledged the ragged and diverse nature of the collection and read a sample that reflected the range of styles and subject matter.
Here's the gist of my Nottingham presentation with the rather ponderous title above which I tried to organise around a set of questions:
· Is there a link between demanding physical activities like climbing and walking and the process of writing?
· Do both of these help us develop a sense of well-being and do we use metaphors drawn from climbing more frequently than we recognise to help us get through life’s difficulties?
· Finally, is ‘wilderness’ more of a psychological concept than a geographical one?
I had also wanted to refer to other writing to help illustrate why I thought these were interesting questions to ask and to point towards some possible answers.
So, my hour’s talk ended up looking something like this:
· A new piece of writing, not included in ‘Giants’, about my first ever rock climbing experiences back in 1965 as part of a church youth club in my home town of Weymouth. In this piece, 'One Step Beyond', I tried to convey the ‘hook’ that climbing buried in me, the sense of the wider world it opened and the escape it offered from a seemingly pre-ordained and rather dull path through life.
· I then read some extracts from Lakoff and Johnson’s 1980 book ‘Metaphors We Live By’ and focused particularly on the extent to which, in our culture, the ‘orientational metaphor’ of Up – Down is so deeply associated with health, control, wealth, virtue and happiness (Up) as opposed to sickness, death, lack of control, poverty, depravity and sadness (Down). If we accept this pervasive metaphor, then it isn’t hard to see why the act of climbing up can acquire such a range of positive associations.
· Next I read my poem ‘Northumberland, August 1996’ and turned to a discussion of the concept of ‘wilderness’. The four day walk that inspired the poem had felt delightfully remote despite passing through and spending the night in little villages. When I revisited by car a few years later, I was really surprised by the fact that there was a road running all along the far side of the sand dunes and that I had been little more than a quarter of a mile from this for most of my walk. In one sense, I had always known this from the map but the act of walking, the tiring and glorious process of keeping going, had allowed me to experience a strong and satisfying sense of wilderness nevertheless.
· I referred at this stage to Robert McFarlane’s book ‘The Wild Places’ and particularly the passage in which he describes swimming off Chesil Beach out into West Bay. It is a place I know well (the beach not the actual watery wastes of the bay) and I found it really interesting to think of this as a form of wilderness. It wasn’t that far from busy caravan parks as the crow or the albatross flies, but it was stunningly inaccessible and any visit such as McFarlane’s depended on courage and considerable physical exertion.
· This discussion was followed by my prose poem ‘Whistling Down To Jomson’, an account of walking through the wild lands of the Khali Gadanka valley on the circuit of the Annapurna massif in Nepal.
· Then we briefly explored the concepts of wellbeing and resilience, the latter being defined as the ability to cope well in the face of adversity and the maintenance a positive sense of self.
· Next, I read a section from my piece ‘Men and Women and the Rock’ which attempts to demonstrate the resilience-building effects that rock climbing can have. In this particular section, I described an ascent of the Bastille Crack in Eldorado Canyon, Colorado at the time of a relationship break up in mid-life.
· The final injection of ‘theory’ was taken from Mihaly Csikszentmihalyi‘s 1990 book ‘Flow: The Psychology of Optimal Experience’. ‘… The mystique of rock climbing is climbing: you get to the top of the rock glad it’s over but really wish it could go on forever. The justification of climbing is climbing, like the justification of poetry is writing; you don’t conquer anything except things in yourself…’ (I had been worried that I wouldn’t be able to pronounce the author’s name correctly but, no worries, a fluent Hungarian speaker popped up completely unexpectedly from the audience, as they do, and put me right).
· My final selection was ‘A Taste of Life’, a piece written after the deaths of two friends in a mountaineering accident in 1989. In the context of this tragedy, I was attempting to illustrate an aspect of climbing that motivates enthusiasts, that of the pure concentration developed and refined to an almost ecstatic degree during the ‘hard move’ on a climb – pure Flow.
It was a busy hour but there was still some time for audience participation and it was during an early discussion that somebody pointed out that, although the ‘Down’ pole of the ‘Up – Down’ metaphor had such frequently negative connotations in our culture (e.g. falling from grace, falling into depression, economic decline, etc. etc.) we do also nonetheless treasure greatly our human capacity to fall in love!
Posted by andy at 01:53
Sunday, 27 January 2013
At Nottingham's first ever Festival of Words there will be a diverse range of author talks and readings, children's events, panels, workshops and activities involving words in one form or another. Taking its inspiration from Nottingham's lace industry, an important thread in the city's heritage, the festival complements the Lace Season events occurring throughout the city.
A programme outlining all events, which run from 9th-24th Feb 2013, with details of how to book can be viewed and downloaded at:
I have been fantastically fortunate to have been selected to present an hour session on Sat 16th Feb which I am calling 'Climbing Through Life'. It will begin at 4pm. I’m intending to read relevant excerpts from While Giants Sleep and other pieces to develop the themes of climbing and long distance walking as metaphors for some of the big challenges that life throws at us all. And by challenges, I don’t just mean physical ones, the arduous or the risky, but also events like growing up and growing old, adult relationships and those between parents and children, living fully and living well.
Hopefully, the content of the pieces will be interesting enough to enable them to stand alone. But I also hope to engage the audience in discussion about the types of metaphors they themselves draw upon when considering life’s challenges. And these challenges need not necessarily involve getting one’s boots on. Caring for an elderly relative could, for example, provide as equally a striking example of application and persistence as an arduous alpine trek.
I have been given a superb opportunity by Elaine Aldred to develop these themes and talk more generally about my writing on her excellent blog:
If you visit Elaine's blog you will be able to read interviews with a range of writers who will be appearing at the Festival and so get a much more detailed idea of the wide range on offer.
Posted by andy at 03:01
Tuesday, 27 November 2012
Nottingham's leading cultural, art and sports magazine and website, LeftLion, has just published this very positive review by journalist Oliver Clark of last Wednesday's Word of Mouth. I found it a very enjoyable evening to be a part of and the review below is copied here with permission. .
The full details of LeftLion's publications can be found at www.leftlion.co.uk
Antenna played host to another enticing writing event on Wednesday 21 November. A variety of authors, poets and scriptwriters came together for Word of Mouth – Journeys, to celebrate themes of travel and free expression.
It had been nine months to the day since three members of the feminist punk group, Pussy Riot, were arrested and sentenced to two years imprisonment for hooliganism. On February 21 2012, five of the members staged a performance on the soleas of Moscow’s Cathedral of Christ the Saviour. Their protest was directed at the Orthodox Church leader's support for Putin during his election campaign yet it was perceived as having the means to disgrace the church. Word of Mouth – Journeys was therefore part of a larger celebration across the country to acknowledge the right to freedom of expression and openly disagree with their prosecution.
Nottingham Writers’ Studio was in partnership with organisation PEN for the event. PEN has 145 centres in more than 100 countries and fights for writers around the world who are imprisoned or persecuted for sharing their writing. There was an opportunity to become a member of English PEN throughout the evening for a small fee of £3.75 a month.
After purchasing a much-needed glass of white wine to overcome the bitter November cold, I parked myself down and got ready for a series of inspirational readings. Three time novelist,Megan Taylor, greeted us warmly on the stage and encouraged any Twitter addicts in the room to “tweet” their thoughts using #womjourneys. Incorporating technology into performance is something that the Writers’ Studio have been experimenting with for a while, a previous WOM included Skype readings from around the world.
The journey began at Grandma’s house as Alison Moore indulged us with her short story,Sleeping Under the Stars. Recently shortlisted for the Man Booker Prize 2012 for her first novel, The Lighthouse, Alison captivated the audience with her heartwarming story. As soon as I heard the words “fat coils of licorice,” I knew her imagery alone was enough to keep me hooked. On this reading alone I’ll be looking forward to her first short story collection next year with Salt.
Richard Goodson picked up the pace shortly afterwards with a reading of two short poems. The first described a train journey that incorporated the harsh world of cosmetic surgery. His second poem on self-awareness of the human body during a long distance run really captured my attention. I distinctly remember lungs compared to ravenous dogs and the saltiness of sweat alike to a joint of ham. If I was to shut my eyes for just a second, I could experience the exhaustion he described. It’s safe to say that I don’t exercise that often so it was a challenge to relive those moments. Richard is also known for setting up the Word Jam network for writers in Nottingham. (See above for a previous WOM performance by Richard)
Winner of the 2011 Yeovil Literary Prize for Poetry, Andy Miller, was next to take his place on the stage. His poetry gave us an insight into his own travels on the Northumberland coast and as far as the Himalayas. His prose poem captured precious snapshots of family interactions, aromas and detailed surroundings. I found myself picturing similar details from my own travels, details that I had taken for granted. Andy certainly opened a portal for us to enter and walk alongside him.
Laura Grevel ventured through this portal during her own reading. Her animated performance had her literally running on stage as her character did in her short story. Every change in pace was contributed with a gesture so we could experience the urgency of her character. Laura’s writing is complimented by an MFA in Creative Writing from George Mason University in Fairfax, Virginia and an example of the diverse range of writers homed up at the Nottingham Writers’ Studio on Stoney Street.
After a short interval, I found myself avidly tweeting my thoughts (making sure to hash tag of course) when poet and poetry producer, Robin Vaughan-Williams, opened the second half. Sound effects of the A52 alongside his poems on the perils of road travel had me cursing the rush hour traffic I endure on Clifton Road. Talk of wet tarmac, slow lanes and the illumination of lights left me reliving my own hellish road experiences.
Leftlion’s Aly Stoneman soothed my temporary road rage with her poem on the journey of redemption. There was an array of beautiful imagery such as “shimmering helicopters” and “shining stars” throughout the piece. Andrew Kells set the audience up for an interactive finish to the evening when he read his short story, Five Minute Warning. It’s safe to say he was a brilliant speaker and he really pulled me into his literary world. I remember his description of the relationship between the narrator and his grandad. It was carefully constructed so that we grasped a real sense of characterisation throughout the piece. Andrew gave up writing commercials five years ago and decided to start writing stories, which after his reading, I’m grateful to hear!
Wayne Burrows is a writer based at Primary Studios and introduced the political motivations behind the collaboration of PEN and the Writers’ Studio. His contribution was a poem from the anthology Catechism, whereby poets from around the world have written verse in support of Pussy Riot. He read a Czech song recorded by Marta Kubisova and banned by the Soviet authorities in 1969. It was certainly one of the most powerful segments of the evening for me. Wayne brought together the themes of travel and free expression by describing them both as “rights.” He commented on how it wouldn’t have been possible to develop the night’s readings without the freedom to travel but also the freedom to write to begin with. He completely hit the nail on the head and justified the evening’s importance.
James Walker added to Wayne Burrow’s contribution with a cheeky response to Pussy Riot called 'Slap and Sickle' written from the perspective of Arthur Seaton, the anti-hero of Alan Sillitoe’s Saturday Night and Sunday Morning. James has just completed a six-month project called The Sillitoe Trail for The Space which is featured as the November Writer of the Month by Writing East Midlands.
It was a photo essay with Jason Williamson (Sleaford Mods) the gravely voiceover. But the technology failed after a minute and there was a chorus of “NO’s” throughout the room. This was quickly resolved and I found myself chuckling at the characterisation of Arthur as he addressed an imaginary brunette by the bar and then at myself for turning around expecting to see her. The evening couldn’t have finished with a better piece of literature.
There is so much I could add about every individual writer’s contributions to the evening. Every piece certainly echoed the themes and ideas surrounding the event. I also think that everyone at Antenna did justice for the members of Pussy Riot when ensuring that free expression should be accepted across all countries. My own ‘journey’ continued afterwards as I hunted down the works of these talented writers.
Word of Mouth ‘Journeys’, 21 November £4/3
Many of the writers who performed tonight will be appearing at the Festival of Words in February 2012. For more information and early tickets please see the NottWords website
Posted by andy at 11:48